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Ronnie was born around 1943 near Muyinnga, about 100 kilometres west of the Kintore ranges in Western Australia. His family moved extensively across the Pintupi territory up through the Northern Territory, living the traditional ways, which his people have lived for over 40,000 years.
Ronnie and his younger brother, Smithy Zimarron, originally came in from the bush at Yuendumu.He was initiated into Aboriginal Law (manhood) in the early 1950’s at Yumari near his birthplace. Shortly afterwards, due to drought conditions in the 1950’s, Ronnie and his family moved towards Haasts Bluff and then later joined relatives at the newly settled Papunya community. He found work as a fencer making the yards for cattle in the surrounding area. He spent most of his early life in a nomadic existencein the remote Gibson Desert, on the W.A / N.T border. For many years he moved between Papunya, Yuendumu and Mt Doreen Station. Later becoming a stockman in the late 1950’s.
It was during this time that he started to take an interest in the art movement happening at this time. Shortly after he started painting, he discussed with many people about moving back into the traditional lands, which is the basis of their lives. His goal was made possible by the establishment of the Kintore settlement in 1981.
By being more in touch with his traditional lands and the Dreaming, Ronnie soon emerged as one of Papunya Tula’s major artists. His work reflects his directs ties with his culture, retaining a purity that many other aboriginal artists have not achieved. Ronnie’s work follows the strict Pintupi style of strong circles joined together by connecting lines relating to the people and the land and the Dreamtime.
Ronnie’s style tends towards simple, geometric shapes and bold lines. He explores the themes of water dreaming, bushfire dreaming and the Tingari cycle. Tingari are the legendary beings of the Pintupi people that travelled the desert performing rituals, teaching law, creating landforms and shaping what would become ceremonial sites. As far as we can know, the meanings behind Tingari paintings are multi-layered, however, those meaning are not available to the uninitiated.
His work has a simplicity that makes it appealing, yet mysterious as the uninitiated try to understand what he is
painting. By painting the Dreamtime he is helping to resurrect the Aboriginal culture as a whole and allow outsiders to learn about one of the oldest cultures in the world. This work is important to the spirituality of this land, bridging the gap between European life and Traditional Aboriginal Life, which is important in exposing and healing this gap.
Being one of the major Aboriginal Artists his work has featured in numerous exhibitions and collections around Australia. He has had solo exhibitions at the Utopia Gallery and the Gallery Gabrielle Pizzi. Several of his group exhibitions include the Dreamtime Gallery, The Australian National Gallery and the Art Gallery of South Australia. He is also in permanent collections at the National Gallery and the Art Gallery of Victoria and the Supreme Court of the Northern Territory.
Ronnie Tjampitjinpa was the winner of the 1988 Alice Springs Art Prize and is shown in numerous major public and private galleries worldwide. He is married to Mary Brown Napangardi and currently spends his time between Alice Springs and his home in Kintore.
2011 Tjukurrtjanu- Origins of Western Desert Art, National Gallery of Victoria
2009 The Dreamers, Art Gallery of NSW
2008 From the air, Fireworks Gallery, Brisbane, QLD
2004 DREAMTIME: The Dark and The Light, Sammlung Essl, Austria
2003 Bushfire, Fireworks Gallery, Brisbane QLD
2001 Spirit & Vision, Sammlung Essl, Austria
2000 Aboriginal Lawman- Masterworks, Australian Exhibition Centre, Chicago, USA
2000 Papunya Tula Genesis and Genius, Australia Gallery, NSW
2000 Aboriginal Art Galleries of Australia, Melbourne VIC
1999 Fine Arts Museums of San Francisco, USA
1999 Flinders Art Museum, Flinders University, Adelaide SA
1999 Spirit Country, San Francisco/Touring
1998 Jinta Gallery, Sydney
1996 Twenty Five Years and Beyond: Papunya Tula Painting, Flinders University Art Museum, Adelaide, SA
1995 Alcaston Gallery, Melbourne VIC.” 2001, 2003 Chapel off Chapel Gallery, Me
1994 Yiribana, Art Gallery of New South Wales, Sydney.
1994 Power of the Land, Masterpieces of Aboriginal Art, National Gallery of Victoria
1994 Dreamings – Tjukurrpa: Aboriginal Art of the Western Desert
1994 The Donald Kahn collection, Museum Villa Stuck, Munich
1994 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs
1994 The Eleventh National Aboriginal Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin
1994 Australian Heritage Commission National Aboriginal and Torres Strait Islander Art Award Exhibition, Old Parliament House, Canberra
1993 Aboriginal Art Exhibition, Kung Gubunga,Oasis Gallery, Broadbeach, Qld
1993 Tjukurrpa, Desert Dreamings, Aboriginal Art from Central Australia (1971-1993), Art Gallery of Western Australia, Perth WA
1993 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs
1992 Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs
1992 The Ninth National Aboriginal Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin
1991 The Eighth National Aboriginal Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin
1991 Flash Pictures, National Gallery of Australia
1991 Australian Aboriginal Art from the Collection of Donald Kahn, Lowe Art Museum, University of Miami, USA
1991 Aboriginal Paintings from the Desert, Union of Soviet Artists Gallery, Moscow and Museum of Ethnographic Art, St. Petersburg, Russia.
1990 National Gallery of Modern Art, Rome
1990 Gallery Gabrielle Pizzi, Melbourne
1990 Paintings from the Desert, Contemporary Aboriginal Paintings, Plimsoll Gallery, Centre for the Arts, Hobart, Tasmania
1990 The Seventh National Aboriginal Art Award Exhibition, Museum and Art Gallery of the Northern Territory, Darwin
1989 Gallery Gabrielle Pizzi, Melbourne
1989 Aboriginal Art: The Continuing Tradition, National Gallery of Australia
1988 Gallery Gabrielle Pizzi, Melbourne
1987 Gallery Gabrielle Pizzi, Melbourne
1986 Roar Studios, Melbourne
1983 Mori Gallery, Sydney
Art Gallery of New South Wales
Art Gallery of South Australia, Adelaide.
Art Gallery of Western Australia, Perth.
Campbelltown City Art Gallery
Donald Kahn collection, Lowe Art Museum, University of Miami.
Medibank Private Collection
Musee des Arts Africans et Oceaniens, Paris.
Museum and Art Gallery of the Northern Territory, Darwin.
National Gallery of Australia, Canberra.
National Gallery of Victoria, Melbourne.
Supreme Court of Northern Territory, Darwin.
The Holmes a Court Collection, Perth.
Title: Two Boys at Wilkinkarra (Lake Mackay) 1992
Details: Synthetic polymer paint on linen, bears artist’s name and Papunya Tula artists catalogue number RT920828 on the reverse, 152 x 122 cm
Auction Price: $79,812
Auction House: Sotheby’s Australia, Important Aboriginal Art, Melbourne, 24/06/2002, Lot No. 40
355 works listed from the 1970’s onwards.
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Harvey Galleries was founded by the Harvey family in 1994 with an eye to establish a dynamic and inclusive contemporary art space on the North Shore of Sydney. For almost three decades we have expanded our reach to over three gallery locations and an ever expanding stable of the best artists Australia has to offer.
Harvey Galleries acknowledges the traditional custodians of the lands upon which our galleries stand. The Guringai people (Seaforth), the Gadigal people of the Eora Nation (Sydney), and the Bunurong Boon Wurrung and Wurundjeri Woi Wurrung peoples of the Eastern Kulin Nation (Melbourne).
We pay our respect to Elders past and present.
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