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The Charles Blackman Foundation, together with Harvey Galleries, presents “The Evening is the Morning” in tribute and to celebrate Charles Blackman’s life…… Continue reading
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The Charles Blackman Foundation, together with Harvey Galleries, presents “The Evening is the Morning” in tribute and to celebrate Charles Blackman’s life – the exhibition includes a contemporary collection of bronze powder coated sculptures titled “Windows and Visions”, a portfolio of nine prints called “Cats Tales”, Blackman’s large scale diptych oil on canvas as masterpiece “The Room of Edgar Allan Poe” (1978), and a suite of recent ink drawings.
Due to popular demand the Exhibition will open on Saturday 20th and Sunday 21st between 11 – 5pm at Harvey House Gallery & Sculpture Park, located at 213 Tooronga Road, Terrey Hills.
EXHIBITION CONCLUDES Sunday 21st October 2018.
BORN 1928 Sydney, Australia
DIED 2018 Sydney, Australia
STUDIES
Self-taught, attended night classes in drawing and design at the East Sydney Technical College from 1942-45 under Hayward Veal
Background
Charles Blackman is a major figure in Australian art of the post-war years. His haunting and enchanting images of women and girls, absorbed in daydreams or games have an enduring appeal. Two significant themes in his work have been the Schoolgirl and Alice in Wonderland. Deep shadows and the accentuation of his figure’s eyes occur throughout Blackman’s works with a pervasive sense of melancholy.
Charles Blackman was largely self-taught, but he attended night classes in drawing and design at the East Sydney Technical College from 1942-45 under Hayward Veal. Blackman was a co-founder of the Melbourne Contemporary Art Society in 1953 and was one of seven Antipodeans responsible for the Antipodean Manifesto – a reaction against what they saw as the meteoric rise of abstract expressionism and non-figurative art in Australia and its intolerance of figurative painting. He has exhibited frequently since and is known for his facility in drawing.
In 1951 Blackman married a poet, Barbara Patterson, who was to become a lasting presence in his work. His work is held in all Australian state and most regional galleries, institutional and private collections
1943-46 Studied East Sydney Technical College
1945-60 Lived and painted in Melbourne
1950s Painted Schoolgirl series, followed by Alice in Wonderland series
1960-64 Traveled and studied overseas after winning Helena Rubinstein Scholarship
1960-64 Lived and painted in London, exhibited at Whitechapel and Tate Galleries
1965 Tour of northern France and Flanders
1966-74 Lived and painted in Sydney
1975 Occupied Australian studio, Cite Internationale des Arts, Paris
SOLO EXHIBITIONS
1953-93 Numerous solo exhibitions in Sydney, Canberra, Melbourne, Brisbane, Adelaide, Perth, London and Tokyo, including a major retrospective at the National Gallery of Victoria,
1993 Charles Blackman: Schoolgirls and Angels
AWARDS
1997 OBE
1963 Georges Invitation Art Prize, Georges Gallery Melbourne (one painting and one drawing)
1960 Helena Rubinstein Scholarship, Melbourne
1960 Dyeson Endowment
1960 George Crouch Prize, Ballarat Fine Art Gallery
1960 Wins prize. A. Shore, The Age (February)
1958 George Crouch Prize, Ballarat Fine Art Gallery
1958 Rowney prize, Richmond Gallery Melbourne
1958 Collections
National Gallery of Australia, and all state galleries
Numerous regional galleries and university collections
BIBLIOGRAPHY
1993 Charles Blackman: Schoolgirls and Angels, catalogue for retrospective at National Gallery Victoria 1989 Shapcott, T., The Art of Charles Blackman, Andre Deutch, London 1983 Amadio,N., Orpheus the Song of Forever, Craftsman Press, Sydney 1982 Amadio, N., Charles Blackman’s Paris Dreaming, A.H. & A.W. Reed, Sydney 1980 Amadio, N., Charles Blackman: The Lost Domain, A.H. & A.W. Reed. Sydney 1967 Shapcott, T., Focus on Charles Blackman, University of Queensland Press, Brisbane 1965 Mathew, R., Charles Blackman – Monograph, Georgian House, Melbourne
RVSP for Charles Blackman ‘The Evening is the Morning’ 2018
Harvey Galleries was founded by the Harvey family in 1994 with an eye to establish a dynamic and inclusive contemporary art space on the North Shore of Sydney. For almost three decades we have expanded our reach to over three gallery locations and an ever expanding stable of the best artists Australia has to offer.
Harvey Galleries acknowledges the traditional custodians of the lands upon which our galleries stand. The Guringai people (Seaforth), the Gadigal people of the Eora Nation (Sydney), and the Bunurong Boon Wurrung and Wurundjeri Woi Wurrung peoples of the Eastern Kulin Nation (Melbourne).
We pay our respect to Elders past and present.
Password and the invitation to view will be sent to you as soon as the exhibition preview opens.
Always be the first to know about exhibitions, events and new art releases.