This exhibition of Peter Hudson’s recent work is partly a product of his Central Australian residency at Haasts Bluff in the Northern Territory in July this year…… Continue reading
Continue readingWatercolour on Paper
45 x 34 cm
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204 x 111 cm
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46 x 106 cm
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63 x 346 cm
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120 x 92 cm
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100 x 80 cm
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122 x 80 cm
Sold SoldMixed Media on Panel
154 x 80 cm
Sold SoldWatercolour on Paper
44 x 34 cm
Sold SoldOil on Panel
46 x 106 cm
Sold SoldWatercolour on Paper
44 x 33 cm
Sold SoldWatercolour on Paper
45 x 34 cm
Sold SoldWatercolour on Paper
45 x 34 cm
Sold SoldWatercolour and Charcoal on Paper
41 x 34 cm
Sold SoldOil on Panel
16 x 46 cm
Sold SoldOil on Panel
46 x 53 cm
Sold SoldOil on Panel
46 x 53 cm
Sold SoldOil on Panel
46 x 53 cm
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Standing in front of a landscape gives you a good indication of where you are. Standing in front of a landscape painting is an instruction on where you are not. If the work was created plein air, the artist had both feet in both fields. The expanse and its mimeographed reduction. One is transported as an object. The other is transported in a neurological suitcase. As the viewer you are transported to where someone else was. For this circle to complete itself, you will be required to conclude that where Peter Hudson was is where you now find yourself. A painting grafts memory onto two dimensional skin. It is a memory, but has no memory of itself.
This exhibition of Peter Hudson’s recent work is partly a product of his Central Australian residency at Haasts Bluff in the Northern Territory in July this year. Many artists have (and will continue) to throw a visual net over ‘the outback’ in an attempt to bring it indoors. Pulling a longer thread, Peter’s recent work also forms a simple testament, a coagulation of blind purpose, built from the profound but incomprehensibly dumb beauty of his residency on earth. The paint glistens as does the surface of the eye. Given that the moon can manipulate oceans, the artist’s imagination is an easier target for this orbiting, celestial conscience. It speaks to our feet in the language of gravity. Gravity also allows the painting to hang on a wall. If you swap places with the painting in front of you – you might see what you are looking at. In acknowledging the sophistication of how art is produced, you must also recognise that memory is the first gallery in any life. Inside its recall you permit any image to focus or dissolve via energy drawn from the temperature of blood. You witness second hand what the artist saw in the first place.
Peter Hudson (b. 1950), is a landscape and portrait painter who lives and works in Maleny, Queensland. Since the late 1990s he has explored aspects of the natural world, astronomy, mythology, and history to investigate ‘the deep mystery of existence and us being here’. In 1998, he made the first of many trips to the Aboriginal communities of Daguragu and Kalkarinji in Gurindji country in the Northern Territory. The Gurindji people, their land, and the story of the Wave Hill walk-off have been major influences on his work, and led him to his current interest in portraiture. He illustrated the children’s book of the 2008 song by Paul Kelly and Kev Carmody, ‘From Little Things, Big Things Grow’, making portraits of Kelly and Carmody as well; one of his portraits of Kelly was a finalist in the 2007 Archibald Prize. Since then he has illustrated the books of Shane Howard’s song ‘Solid Rock’, making a portrait of Howard along the way, and Neil Murray’s ‘My Island Home’. Hudson exhibits regularly, has won a number of regional art prizes, and is represented in the collections of the Museum and Art Gallery of the Northern Territory and Parliament House, Brisbane, among others. The National Portrait Gallery holds his portraits of Kev Carmody, Archie Roach, Neil Murray and Chad Morgan.
BORN 1950 Townsville, Australia
STUDIES
1972-75 Queensland College of Art, Brisbane
1976-80 Jewellery Apprenticeship, Brisbane
SOLO EXHIBITIONS
2015 Life is No Way To Treat An Animal. Trevor Victor Harvey Gallery. Sydney, NSW.
2014 The Elephant in the Room. Woolloongabba Art Gallery. Brisbane. QLD.
2013 Landscape and the Moon. Trevor Victor Harvey Gallery. Sydney, NSW.
2012 From Glasshouse to Cooktown. Woolloongabba Art Gallery. Brisbane, QLD.
2010 Twenty Two over Sixty. Arts Park Australia, Mt. Mellum, QLD.
2009 New Works (Peter Hudson) Neo Gallery. Brisbane, QLD.
2007 Peter Hudson Paintings. Neo Gallery. Brisbane, QLD.
2006 Ownership, 40th Anniversary of the Wave Hill Walk Off. N.T. Caloundra Region Gallery, QLD.
2005 Peter Hudson, Recent Works. Neo Gallery. Brisbane, QLD.
2002 Peter Hudson Paintings/ Drawings. Lasting Impressions Gallery. Kenilworth, QLD.
2001 New Works (Peter Hudson) ASN Gallery. Sydney, NSW.
2000 On His Selection (Inaugural Exhibition) Caloundra Regional Gallery, QLD.
1997 Artist in Residence Exhibition. (Jewellery) Mulgara Gallery. Uluru, N.T.
1995 Artist in Residence Exhibition. (Jewellery) Mulgara Gallery. Uluru, N.T.
1992 Peter Hudson Paintings and Drawings. Impact Art Gallery. Maleny, QLD.
SELECTED GROUP EXHIBITIONS
2015 East Coast Encounter. Port Macquarie Hastings Regional Gallery. NSW. Gold Coast City Gallery. QLD. Caloundra Regional Gallery. QLD.
2015 Dog Show. Woolloongabba Art Gallery. Brisbane, QLD.
2015 Tattersalls Art Prize. Brisbane, QLD.
2014 Tattersalls Art Prize. Brisbane, QLD.
2014 Drawn In. Woolloongabba Art Gallery. Brisbane, QLD.
2014 East Coast Encounter. National Maritime Museum. Sydney, NSW.
2013 Paul Kelly and the Portraits. National Portrait Gallery. Canberra, ACT.
2011 Landmarks, Impressionsof the Glasshouse Mountains. Caboolture Regional Gallery, QLD.
2011 Tattersalls Art Prize. Brisbane, QLD.
2011 New Faces, New Stories. National Portrait Gallery. Canberra, ACT.
2010 Tattersalls Art Prize, Brisbane, QLD.
2009 Sunshine Coast Art Prize. (winner) Caloundra Regional Gallery. QLD.
2008 Sunshine Coast Art Prize. (finalist) Caloundra Regional Gallery. QLD.
2007 Sunshine Coast Art Prize. (finalist) Caloundra Regional Gallery. QLD.
2007 Archibald Prize (finalist) Art Gallery of NSW.
2006 Sunshine Coast Art Prize. (finalist) Caloundra Regional Gallery. QLD.
2004 Images of the Glasshouse Mountains. Caloundra Regional Gallery. QLD.
2001 Tattersalls Art Prize. Brisbane, QLD.
1999 Cintra Gallery Brisbane, QLD.
1996 Direct Sun. Noosa Regional Gallery. QLD.
COLLECTIONS
National Portrait Gallery. Canberra, ACT.
National Maritime Museum. Sydney, NSW.
Museum and Art Gallery of the Northern Territory. Darwin, NT.
Warrnambool Art Gallery. Warrnambool, VIC.
Queensland Teachers’ Union Collection (G. A. Daughtrey Art Bequest) Brisbane, QLD.
Parliament House Queensland. Brisbane, QLD.
Moreton Bay Regional Council Collection. QLD.
Sunshine Coast Regional Council Collection. QLD.
University of the Sunshine Coast. QLD.
Ken Hinds Cultural Collection.
AWARDS
1978 Jewellery Award. Kangaroo Point College of TAFE. Brisbane QLD.
1997 Caloundra Arts Festival. Drawing/Mixed Media .(winner)
1998 Maleny Art Award. (winner open Award)
1999 Maleny Art Award. (winner Painting Award)
2001 Caloundra Art Festival. (winner open Award)
2005 West Pac/Mt. Olivert ‘Reflections of Life’ Art Prize. (winner)
2008 Mayor’s Prize. Kenilworth. QLD. (winner)
2009 Sunshine Coast Art Prize. QLD. (winner)
Harvey Galleries was founded by the Harvey family in 1994 with an eye to establish a dynamic and inclusive contemporary art space on the North Shore of Sydney. For almost three decades we have expanded our reach to over three gallery locations and an ever expanding stable of the best artists Australia has to offer.
Harvey Galleries acknowledges the traditional custodians of the lands upon which our galleries stand. The Guringai people (Seaforth), the Gadigal people of the Eora Nation (Sydney), and the Bunurong Boon Wurrung and Wurundjeri Woi Wurrung peoples of the Eastern Kulin Nation (Melbourne).
We pay our respect to Elders past and present.
Password and the invitation to view will be sent to you as soon as the exhibition preview opens.
Always be the first to know about exhibitions, events and new art releases.
