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On the surface, the raw nihilism of Nirvana sounds like it has little in common with Blink 182’s prankster punk anthems. However, diving deeper into Blink 182’s discography reveals a band who used their inspiration from Nirvana to pen introspective tunes that spoke to the disillusionment of youth, such as their 1999 hit single ‘Adam’s Song’. In Better Daze, Johnny Romeo explores the synergies between Nirvana and Blink 182 to create a work that captures the dark moments where we are doubtful of ourselves and reminisce about better days. Grunge legend Kurt Cobain is portrayed in the painting dressed in a suit and tie as he listens to music on his headphones and gazes at the audience with a vacant stare. Cobain’s suit, along with the altered text passage ‘So Bloomed’, pays homage to Nirvana’s 1991 smash single ‘In Bloom’. The reference to ‘Bloom’ also taps into the floral imagery of Van Gogh’s sunflowers, implying the optimism of future days that are yet to come. Dark shades of blues, greens, and purples, however, dominate the painting’s colour palette, lending the work a heavy, brooding feel that compliments the singer’s melancholic expression. Romeo ingeniously tries to shake Cobain out of his depressive funk through the word assemblage ‘So Bloomed Boomed’, with its allusions to the booming, life-affirming racket of rock’n’roll. The headphones worn by Cobain act as a lifeline for the tortured singer, flooding his mind with beautiful music as he gets lost in sound and drawn out of the negativity of his own thoughts. This sense of finding light within the darkness is extended through the Poptimistic title Better Daze, a nod to the hopeful nostalgia of the ‘better days’ featured in the lyrics of Blink 182’s ‘Adam’s Song’. The song’s bleak rumination on teen depression and suicide is seen as a spiritual sequel to Nirvana’s ‘Come As You Are’ (1991) with its lyrical responses to Cobain’s insistence to ‘take your time, hurry up / the choice is yours, don’t be late’ – ‘I took my time, I hurried up, the choice was mine, I didn’t think enough’. Injecting his work with a grim sense of humour, Romeo changes the spelling of days into ‘daze’, implying that Kurt Cobain is better off dazed looking at us, as opposed to looking dead.
H34591 Better Daze
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Johnny Romeo is an internationally acclaimed Australian painter, widely regarded as Australia’s leading Pop artist. As a seminal figure in the global Neo-Expressionist Pop movement, Romeo fuses the irreverent swagger of rock’n’roll with the visual semiotics of comic books and the raw immediacy of street art. GQ Magazine Australia aptly described his aesthetic as ‘part punk, part pop’, a stylistic hybrid that defines Romeo’s vivid, neon-drenched works and its balance of candy colour explosions and punchy, rebellious imagery. Romeo’s signature Kitsch Pop paintings are electrifying visual assemblages, combining Technicolour palettes and urban iconography to produce a visceral, high-octane art experience.
Johnny Romeo ‘PARADISE FOUND’ Exhibition 2025
Johnny Romeo ‘WHATEVER!’ Exhibition 2024
Johnny Romeo ‘FUTURE DAYS’ Exhibition 2023
Johnny Romeo ‘LANDED!’ Exhibition 2022
Affordable Art Fair Sydney 2022
Johnny Romeo ‘Choose Life’ Seaforth Exhibition 2022
Grand Seaforth Reopening Exhibition 2022
Johnny Romeo ‘The Sunny Side of the Moon’ Mosman Exhibition 2020
Johnny Romeo Pop-Up Exhibition Melbourne 2020
Johnny Romeo ‘To The Extreme’ Mosman Exhibition 2019
Johnny Romeo ‘The Last Days of Disco’ Mosman Exhibition 2018
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Acrylic and Oil on Canvas
124 x 124 cm Framed
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